🔗 Share this article The Documentary Legend reflecting on His Latest War of Independence Film Series: ‘We Won’t Work on a More Important Film’ Ken Burns has evolved into more than a historical storyteller; his name is a franchise, a prolific creative force. With each new television endeavor arriving on the television, all desire his attention. Burns has done “more fucking podcasts than I ever thought possible”, he notes, wrapping up of nine-month promotional tour that included numerous locations, numerous film showings and innumerable conversations. “I think there are 340.1m podcasts, one for every American, and I’ve done half of them.” Thankfully Burns possesses boundless energy, equally articulate in interviews as he is accomplished while filmmaking. At seventy-two has traveled from historical sites to The Joe Rogan Experience to talk about his latest monumental work: this historical epic, a comprehensive multi-part historical examination that consumed ten years of his career and debuted this week on PBS. Defiantly Traditional Approach Similar to traditional cooking in an age of fast food, Burns’ latest project is defiantly traditional, reminiscent of traditional war documentaries as opposed to modern streaming docs and podcast series. For the documentarian, whose professional life chronicling strands of US history including baseball, country music, jazz and national parks, its origin story represents more than another topic but foundational. “As I mentioned to directing partner Sarah Botstein during our discussions, and she shared this view: we won’t work on a more important film Burns states from his New York base. Massive Research Effort Burns, co-directors Botstein and David Schmidt plus scripting partner Geoffrey Ward referenced numerous historical volumes and other historical materials. Multiple academic experts, representing diverse viewpoints, contributed scholarly insights along with leading scholars representing multiple disciplines including slavery, first nations scholarship plus colonial history. Characteristic Narrative Method The style of the series will seem recognizable to devotees of The Civil War. The unique approach incorporated slow pans and zooms through archival photographs, abundant historical musical selections and actors reading diaries, letters and speeches. That was the moment Burns built his legacy; decades afterwards, currently the elder statesman of documentary filmmaking, he can apparently summon numerous talented actors. Collaborating with the filmmaker at a New York gathering, the Hamilton creator Lin-Manuel Miranda observed: “A call from Ken Burns commands immediate acceptance.” Remarkable Ensemble The extended filming period also helped in terms of flexibility. Sessions happened in studios, at historical sites using online technology, a method utilized during the pandemic. The director describes the experience with performer Josh Brolin, who found a few free hours while in Georgia to record his lines portraying the founding father before flying off to other professional obligations. Brolin is joined by numerous acclaimed actors, Jeff Daniels, Morgan Freeman, Paul Giamatti, diverse creative professionals, multiple generations of actors, celebrated film and stage performers, international acting community, skilled dramatic performers, television and film stars, and many others. Burns emphasizes: “Truly, this might be the most exceptional group ever assembled for any movie or television show. Their work is exceptional. Their celebrity status wasn’t the criteria. It irritated me when questioned, ‘So why the celebrities?’. I responded, ‘These are performers.’ They are among the world’s best performers and they can bring this stuff alive.” Multifaceted Story However, no contemporary observers remain, photography and newsreels forced Burns and his team to rely extensively on primary texts, weaving together the first-person voices of numerous historical characters. This approach enabled to present viewers beyond the prominent leaders of the revolution along with multiple crucial to understanding, several participants lack visual representation. Burns also indulged his particular enthusiasm for territorial understanding. “I love maps,” he comments, “featuring increased geographical representation in this project compared to previous works I’ve done combined.” Global Significance The production crew recorded at numerous significant sites across North America plus English locations to preserve geographical atmosphere and worked extensively with historical interpreters. Various aspects converge to tell a story more violent, complex and globally significant than the one taught in schools. The film maintains, represented more than local dispute over land, taxation and representation. Rather, the series depicts a blood-soaked struggle that finally engaged more than two dozen nations and unexpectedly manifested what it calls “humanity’s highest ideals”. Brother Against Brother Initial complaints and protests leveled at London by far-flung British subjects throughout multiple disputatious regions rapidly became a vicious internal war, setting brother against brother and neighbour against neighbour. In episode two, the historian Alan Taylor observes: “The greatest misconception about the American Revolution is that it was something that unified Americans. It leaves out the reality that it was a civil war among Americans.” Historical Complexity According to his perspective, the independence account that “typically suffers from excessive romance and idealization and is incredibly superficial and doesn’t have the respect actual events, all contributors and the widespread bloodshed.” It was, he contends, a revolution that proclaimed the world-changing idea of fundamental personal liberties; a vicious internal conflict, separating rebels and supporters; and a global war, the fourth in a series of wars between imperial nations for control of the continent. Unpredictable Historical Moments Burns also wanted {to rediscover the